IT for small creative studios.

A handful of editors, a pile of drives and nobody whose job is IT. We set up remote editing, shared storage, backups, security and onboarding, on site in Los Angeles or remotely anywhere in the US.

Quick answer

Clouds Agency is a Los Angeles team that sets up and looks after IT for small creative studios of about 2 to 25 people. We cover remote editing, shared storage and NAS, backups, security and onboarding, on site in Los Angeles and remotely anywhere in the United States. A real person on our team reads every request.

Where small studios usually get stuck.

  1. 01

    The media lives on a drive in someone's bag

    Footage, project files and exports sit on whichever drive was nearest. Nobody is sure which copy is current, and one dropped drive can take a project with it.

  2. 02

    Remote editing works until it does not

    An editor at home needs the media, the studio connection has a slow upload, and the fix of the week is a courier with a drive. It gets repeated every project.

  3. 03

    The backup exists on paper

    There is a second drive somewhere, or a cloud account nobody has opened since it was set up. Nobody has restored a project from it to see what happens.

  4. 04

    Freelancers come and go with the keys

    Shared logins, review links that never expire and access that stays after the job ends. It is easy to add a person and easy to forget to remove one.

Who it is for

Studios of roughly 2 to 25 people.

Video editing studios, 3D and animation studios, small post houses, motion design and VFX boutiques, podcast and YouTube production teams, and collectives of freelance editors. The common thread is a team that does creative work for a living and has no full time IT person.

If you have an IT person already, we work alongside them. If you have a friend who set things up once, we can take it over, write down how it works and keep it running.

What we set up

Three areas, one person to call.

  • Remote editing setup

    Proxy workflows, remote access to your storage or workstations, and review tools, so editors can work away from the studio without couriering drives. We test it with your editing app and your connection first.

  • Shared storage and NAS

    Network storage sized from your footage and your team, wired properly, with folders and permissions that match how you work. We also move you off loose drives in stages.

  • Backups, security and onboarding

    A second and third copy that has been restored at least once, basic security that fits a small team, and a clear way to add and remove freelancers and devices.

How an engagement starts

It starts with a conversation.

  • 01

    You plug us in

    Use the form below. Say what you edit in, where the media lives and what is going wrong. A few lines are enough.

  • 02

    A person replies

    A real person on our team reads your request and replies within one business day. They ask about your editing app, storage and connection.

  • 03

    We look at what you have

    We review your setup, remotely where we can. Anything physical, such as cabling or a rack, needs someone on site, which we do in Los Angeles.

  • 04

    You get a written list

    The list says what we found, in the order we would fix it. You decide what we do and what you handle yourself.

  • 05

    We set it up and write it down

    Equipment is bought in your name and accounts are created in your name. We document how it works so the studio is not dependent on one person.

Questions people ask

Who is this for?

Creative studios of roughly 2 to 25 people that edit, animate, produce or post video and audio and have no full time IT person. That covers editing studios, small post houses, motion and VFX boutiques, 3D and animation studios, podcast and YouTube teams and freelance collectives.

Do you work outside Los Angeles?

Yes, for remote setup. We can review and configure networks, storage settings, accounts, backups and remote access for studios anywhere in the United States. Anything physical, such as cabling or installing a rack, needs someone on site, and our on-site work is in Los Angeles.

What do you set up?

Three areas: remote editing setup, shared storage and NAS, and backups with security and onboarding. Each has its own page below with the questions we ask and what the work involves.

What happens when I plug you in?

A real person on our team reads your request and replies within one business day. They ask about your editing app, storage, connection and what you are seeing, then tell you what they would check first.

Do you replace our IT person?

No. We can work with the person you have, or cover the gap if you do not have one. Either way you get a written list of what we found, in the order we would fix it.

Which tools and hardware do you work with?

Synology, QNAP, Blackmagic Design, Frame.io and LucidLink, plus the editing apps your team already uses. If your gear is something else, tell us and we will say plainly whether it is outside what we do.

Who owns the equipment and the accounts?

You do. Hardware is bought in your name, cloud and admin accounts are created in your name, and we give you the configuration and a written note on how it all works.

Do you publish prices?

No. Cost depends on the size of the studio, the storage and what is already in place. We send a written quote after we learn what you need, and it lists what is included.

Plug us in. Tell us about your studio.

Tell us what you see on screen. A person on our production consulting team reads it and replies, usually with the first thing to check.

Error messages, what changed recently, how many people are affected. A few words is enough.

We reply from a person, not a bot. No mailing list.

Tell us what your studio runs on.

Describe the team, the editing app and where the media lives. A real person on our team replies within one business day.