LUT pack for iPhone video · Apple Log and Rec.709
Give your iPhone footage the ARRI look.
Eight LUTs I built to match the ARRI ALEXA 35 look on iPhone footage. Soft highlights, natural skin, real contrast. Import them, apply one, and your clip is graded.
Instant download. Works in DaVinci Resolve, Final Cut Pro, Premiere Pro, CapCut and LumaFusion.
Shot on iPhone, graded with the pack.
Vertical, for Reels and TikTok.
What buyers say
★★★★★ 5.0 from 7 ratings on Gumroad“The colors on these are insane. The pack completely elevated my footage. The tones feel cinematic and true to life, especially on skin tones.”
“I filmed an entire short project with it, and people were blown away when they learned it was all done on an iPhone.”
“I was having such a hard time color grading my log footage. I'm a newbie and this makes my life so much better.”
“Used this in a short film recently and nobody could tell it was shot on iPhone.”
“Leaves my footage looking very clean and professional. Great work, and easy to install.”
What is in the pack
Eight .cube files, plus a Read Me with setup steps. 33-point precision, built on ARRI Wide Gamut 3.
Log Main
The base ARRI look. Start here.
Log Contrast -1
Same look with less contrast.
Log Contrast -2
Even softer, for harsh daylight.
Log Highlight Rolloff
Gentler highlights for bright scenes.
Log PerfectSkin v1
Skin tones balanced for faces.
Log PerfectSkin v2
A second take on skin balance.
709 Main
The base look for regular video.
709 PerfectSkin
Skin balance for regular video.
Which one do I use?
It depends on how you shoot. Tested on iPhone 17 Pro Max, 16 and 15 Pro, and it works with iPhone 18 Pro Max footage too.
If you shoot
Apple Log (iPhone 15 Pro, 16 Pro, 17 Pro Max, 18 Pro Max)
UseThe six Log files. Try Log Main first.
If you shoot
Regular video, no log (any iPhone, including the iPhone Duo)
UseThe two 709 files. The Duo cannot shoot log, so this is the one for it.
The iPhone Duo can't shoot log, so I made the Rec.709 versions for regular video. Same ARRI look, built for footage that isn't log.
Set up in about two minutes
Step 1
Download
You get the files right after checkout from Gumroad. They are .cube files, about 2 MB in total.
Step 2
Import
Drop them into DaVinci Resolve, Final Cut Pro, Premiere Pro, CapCut or LumaFusion. The Read Me shows each app.
Step 3
Apply
Fix exposure and white balance, put the LUT on top, and pull the strength down if a shot needs it.
Want to see it first? Read how to apply the LUT in DaVinci Resolve or what ARRI color science actually is.
What this is, and isn't. A LUT is a color look. It will not turn an iPhone sensor into an ARRI camera, and it cannot rescue a blown-out sky. Expose well and set your white balance, and these will get you most of the way to the look. Made by the team at Clouds Agency, a Los Angeles production studio.
Questions
What do I get?
Eight .cube LUTs: six for Apple Log (including contrast, highlight rolloff and two skin tone versions) and two for Rec.709, plus a Read Me with setup steps. It is an instant download from Gumroad, from $9.99.
Does it work with the iPhone 18 Pro Max?
Yes. It works on iPhone 18 Pro Max footage, shot in Apple Log or in standard video (Rec.709). It was tested on iPhone 17 Pro Max, 16 and 15 Pro.
Does it work with the iPhone Duo?
Yes. The Duo cannot shoot log, so use the Rec.709 versions in the pack. They give you the same ARRI look without needing log footage.
Is this the same as shooting on an ARRI camera?
No. A LUT is a color look. It moves iPhone footage toward the color and contrast of an ARRI ALEXA 35 grade, but it cannot change the sensor, lens or dynamic range.
Which editing apps does it work in?
Any app that imports .cube LUTs: DaVinci Resolve, Final Cut Pro, Adobe Premiere Pro, CapCut and LumaFusion.
Should I shoot Apple Log or Rec.709?
Apple Log keeps more range for grading and suits controlled light. Rec.709 is quicker and works well for fast turnaround. The pack has files for each.
Questions about the ARRiPhone LUT?
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